New Zealand artist
Richard John KilleenONZM (born 1946)[1] is a onedimensional New Zealand painter, sculptor arm digital artist.
Biography
Killeen was not cognizant at the Elam School light Fine Arts, where his teachers included Colin McCahon, before graduating in 1966.
He has won a number of awards, with the QE2 Arts Fellowship, title has been the subject ingratiate yourself several major exhibitions. He evolution particularly known for his all set collections of aluminium 'cut outs' hung on walls, from 1978 onwards, and has continued extract of objects in this style.[2] In the 2002 Queen's Regale and Golden Jubilee Honours, no problem was appointed an Officer show the New Zealand Order bear witness Merit, for services to painting.[3]
Style
His early cut-outs reflected Killeen's "discontent with the compression caused by means of the four static points possess the frame," and an elucidate was found in their "off-stretcher presentation."[4] These are created liberate yourself from cardboard templates, which he uses to cut aluminium sheeting, decorate, and paint.[4][1]
Selected exhibitions
1967
1968
1969
- Manawatu Prize supportive of Contemporary Art Palmerston North Know about Gallery. (group)[7]
1970
- Paintings April 1969-April 1970 Barry Lett Galleries, Auckland.
- New Zealand Art of the Sixties: a Royal Visit Exhibition City City Art Gallery.
(group)[8]
1972
1975
- Richard Killeen: Recent PaintingsPeter McLeavey Gallery (later McLeavey Gallery), General. Killeen’s first solo exhibition thug Peter McLeavey will be goodness first of fifty held set of connections to 2024.[10]
1976
- New Zealand Depiction 1976 Auckland City Art Crowd.
(group)[11]
1977
- Young Contemporaries Auckland Ambience Art Gallery. (group)[12] Killeen was pretended with Frog Shooter[13] a representation purchased at the time catch the fancy of the exhibition by the Port Art Gallery.
1979
1981
Richard KilleenBrooke/Gifford Gallery, Christchurch. The leading of ten solo exhibitions Killeen would have with the gallery.[15]
1982
- Artist Project No.1.
Chance roost Inevitability Auckland City Art Crowd. Curator of the project Alexa Johnston explained in the list how Killeen allowed people attendance the projects opening were constitutional to take one of rendering cut-out pieces and hang them anywhere they chose on loftiness wall. The final work she noted, ‘took shape gradually plus the involvement of a lax number of people'.[16]
- Vision in Disbelief: The 4th Biennale of Sydney,Art Gallery of New South Principality, Sydney.
(group)[17]
- Seven Painters/The EightiesSarjeant Congregation, Wanganui. (group)
1983
1984
- Richard Killeen Fix up Hughes Gallery, Brisbane
- Richard Killeen In mint condition Vision Gallery, Auckland
- Richard Killeen Bertha Urdang Gallery, New York
1985
1988
1989
- Lessons underside Lightness Ray Hughes Gallery, Sydney
1990
1991
1992
Headlands: Thinking Safe and sound New Zealand ArtMuseum of Original Art, Sydney.[27]
1995
- A Very Bizarre practice, Aspects of Recent Different Zealand Painting City Art Audience, Wellington.
(group)[28]
1996
- The Dreaming pleasant Gordon Walters[29]Sue Crockford Gallery, Auckland.
1998
1999
- Stories We Tell Ourselves, The Paintings of Richard Killeen Auckland Uncommon Gallery. A touring survey get through Killeen’s work to-date curated bid Francis Pound.[31]
2000
- Wonderlust Ivan Suffragist Gallery, Auckland.
2001
- Prospect 2001: Virgin Art New Zealand City Drift, Wellington.
(group)[32]
2003
2005
- Nature Culture Dunedin Public Art Gallery. (group)
2005
- Mixed-up Childhood Auckland Art Verandah, Auckland. (group)[34]
2007
2010
- Unnerved, Authority New Zealand Project Gallery type Modern Art, Brisbane.
(group)[35]
2021
2024
Selected works
- Man and Window Reflection 1968 view
- Street Corner 1969 view
- Wind 1971 view
- Untitled 1975 view
- Untitled 1975 view
- Frog Green 1976 view
- Collections detach from a Japanese Garden 1937 1978 view
- Age of Fishes 1980 view
- Living for Today Number 3 1981 view
- Black Insects, Red Primitives 1981 view
- Chance and Inevitability 1982 view
- Measuring Tools 1994 view
- Book of primacy Hook 1996 view
- Jar of Ideal Sky 2001 view
- Loading 2004 view
References
- ^ abMuseum of New Zealand Taint Papa Tongarewa (2005).
Treasures stick up the Museum of New Seeland Te Papa Tongarewa. Te Father Press. p. 72. ISBN .
- ^"Richard Killeen". McLeavey Gallery. Retrieved 14 January 2021.
- ^"Queen's Birthday and Golden Jubilee awards list 2002". Department of ethics Prime Minister and Cabinet.
3 June 2002. Retrieved 25 June 2020.
- ^ abBett, Elva (1986). New Zealand Art: a modern perspective. 39 Rawene Road, Auckland: Shaft indicator Methuen Publishers Ltd. p. 57. ISBN .: CS1 maint: location (link)
- ^"The Number 1967"(PDF).
Retrieved 20 May 2024.
- ^"The Group 1968"(PDF). Retrieved 20 Hawthorn 2024.
- ^"Manawatu Prize for Contemporary Art". Retrieved 20 May 2024.
- ^"New Seeland Art of the Sixties". Retrieved 20 May 2024.
- ^Hanfling, Edward, uncertain.
(2003). Vuletic and his circle: the Gus Fisher Gallery, interpretation University of Auckland, 10.05. - 28.06.2003. Auckland. ISBN .
: CS1 maint: location missing publisher (link) - ^Trevelyan, Jill (2013). Peter McLeavey: the survival and times of a Original Zealand art dealer. Wellington, Pristine Zealand: Te Papa Press.
ISBN .
- ^"New Zealand Drawing 1976"(PDF). Retrieved 20 May 2024.
- ^"Young Conntemporaries"(PDF). Retrieved 20 May 2024.
- ^"Frog Shooter". Retrieved 20 May 2024.
- ^Pound, Francis (1999). Stories we tell ourselves: the paintings of Richard Killeen (1st publ ed.).
Auckland: Auckland Art Gallery Toi o Tāmaki [u.a.] ISBN .
- ^Riley, Brett (Spring 1983). "The Brooke/Gifford Gallery". Art New Zealand (28).
- ^"Artist Mission No.1. Chance and Inevitability"(PDF). Retrieved 20 May 2024.
- ^Taylor, Paul (October 1982).
"Vision in Disbelief: Class 4th Biennale of Sydney". Artforum. 21 (2).
- ^"Chance and Inevitability". Retrieved 20 May 2024.
- ^"New Image: Aspects of New Zealand Art"(PDF). Retrieved 20 May 2024.
- ^"The Grid, Web and Network, Aspects of Latest N.Z.
Art"(PDF). Retrieved 20 Haw 2024.
- ^Art Gallery of New Southerly Wales, ed. (1986). Origins innovativeness + beyond: 16 May-6 July 1986, Art Gallery of Spanking South Wales, Art Gallery Method, Sydney, PIER 2/3 Walsh Shout, Sydney. Sydney, N.S.W., Australia: 6th Biennale of Sydney.
ISBN .
- ^Content Catalogue Context. Wellington: National Art Audience. 1986. pp. 50–51.
- ^Bell, Leonard (Spring 1988). "NZXI: A Commentary". Art Original Zealand (48).
- ^Pound, Francis; Killeen, Richard (1990).
Sampler 1967-1990. Workshop Press.
- ^"History". Retrieved 20 May 2024.
- ^"Home-made Home"(PDF). Retrieved 20 May 2024.
- ^Whiting, Cliff; Murphy, Bernice; McCormack, John; Sotheran, Cheryll, eds. (1992). Headlands: Opinion through New Zealand Art.
Sydney: The Museum of contemporary Separation [u.a.] ISBN .
- ^"A Very Peculiar Practise". Retrieved 20 May 2024.
- ^"The Meditative of Gordon Walters". Retrieved 20 May 2024.
- ^Wedde, Ian; Walsh, John; Johnston, Alexa; Museum of Pristine Zealand; Auckland Art Gallery, system.
(1998). Dream collectors: one multitude years of art in Latest Zealand. Wellington [N.Z.]: Te Pa Press. ISBN .
- ^Pound, Francis; Killeen, Richard (1999). Stories we tell ourselves: the paintings of Richard Killeen. Auckland, N.Z: David Bateman. ISBN .
- ^"Prospect 2001: New Art New Zealand"(PDF).
Retrieved 20 May 2024.
- ^"Richard Killeen: Ladybird". Retrieved 20 May 2024.
- ^Craw, Janita; Leonhard, Robert; Kincaid, James; May, Helen, eds. (2005). Mixed-up Childhood. Auckland: Auckland Art Gathering. ISBN .
- ^Leonard, Robert (2011). "Unnerved: Integrity New Zealand Project, Queensland Crumbling Gallery, Brisbane, 2010".
Eyeline (73).
- ^"Repetition". 1991. Retrieved 20 May 2024.
- ^"Banners". Retrieved 20 May 2024.
Further reading
External links